Observation
What gets popular now requires permission to exist.
We're watching the attention economy sort itself into two separate tracks. On one side, established platforms are vacuuming up proven cultural content, licensing it wholesale—Netflix buying Eater's videos, streaming services absorbing decades of digital publishers' work. On the other side, actual cultural makers are actively resisting visibility itself. A musician tells a festival crowd that AI glasses are not sexy. A comedian stages his character's return as a surprise rather than an announcement. The pattern is inverted from what we assumed: scale used to require visibility, but now visibility requires friction, gatekeeping, the refusal to be legible.