1
Gatekeepers accumulate power not by making the best work but by controlling the only path to distribution, visibility, or survival, and once that position is established, the quality of what passes through becomes secondary to the fact that it passes through at all.
2
DC Studios spent on acquiring Gunn and Safran because a reboot needs legitimacy more than it needs a story — the gatekeepers' name on the project signals permission to viewers before a single frame rolls, the same way Netflix doesn't need the Canadian creature feature to be exceptional, only to be algorithmically unavoidable.
3
Every creator, institution, and system that depends on being chosen rather than discovered is now playing a different game than they think, one where the real competition isn't with other artists but with whoever controls the selection mechanism.