Observation
We livestream executions now because we've learned to broadcast authority.
The mechanism isn't new, but its visibility is. A firing squad becomes public entertainment not because the act changed, but because institutions discovered that witness beats distance, and attention legitimizes what it observes. Meanwhile, Hollywood assembles John Cena and a toy car into corporate product, Mo Abudu builds a London hub for African cinema, and a civil engineer measures runway cracks in Puerto Rico. None of these things are related until you see what they share: they all operate on the principle that something becomes real, becomes worth doing, the moment enough eyes acknowledge it happened.