Jeremy Strong emailed Mark Zuckerberg before filming The Social Reckoning to assure him the portrayal would be taken seriously. Zuckerberg responded—but Strong would not say what he said back.
This act of preemptive deference transferred power from the filmmaker to the subject. The moment Strong reached out, he handed Zuckerberg a documented line of contact and an implicit contract.
If the film later contains criticism Zuckerberg finds unfair, he can point to that email and say he was consulted, that his perspective was heard. He gains the ability to claim betrayal. This is not about Strong's intentions—it is about what Zuckerberg now possesses.
Rupert Murdoch used identical leverage against Michael Wolff's authorized biography. Wolff had extensive pre-publication contact with Murdoch, quotes from him, access to his thinking. When the book came out with unflattering material, Murdoch had a documented basis to demand corrections, threaten legal action. Pressure publishers—all while maintaining that he had cooperated in good faith. The pre-publication relationship did not make the book softer.
Institutional prestige biopics about living figures now operate on this model. The subject gets consulted because that consultation, once documented, becomes a shield against criticism—not a check on the filmmaking. Insurance against accountability. The framework is already in place. You see this pattern replicate everywhere someone with power negotiates early access to their own portrayal. Examples include the executive who reads the draft before publication, the politician who sits for the documentary. The celebrity who gives quotes knowing they can later claim selective editing distorted their words. Courtesy becomes leverage, and collaboration becomes evidence of bad faith.
The moment you ask permission to criticize someone, you have already lost the right to do it convincingly.