The BET Awards didn't suddenly decide to honor a point guard because they got woke. They did it because the old system broke.
The source treats the winner list as neutral fact, a simple enumeration of excellence, but that's cowardice dressed as objectivity.
For decades, award shows operated on a stable assumption: you could sort human achievement into lanes. Music here.
The old hierarchy where athletes were athletes and musicians were musicians and never the twain crossed at the same awards ceremony wasn't a reflection of how culture actually worked. It was a reflection of how television scheduling worked. So now the BET Awards faces a choice: enforce categories that no longer map onto audience behavior and die slowly, or blow up the categories and admit they were inventory systems all along. They chose the latter.
This is what institutional collapse looks like: any system complex enough to describe itself eventually reaches statements it cannot resolve from within its own rules. The BET Awards' old rule set became mathematically unstable the moment audiences started consuming culture across those lines. The system had to expand the axioms.