Johnny Depp is casting himself as Scrooge in a Christmas adaptation called Ebenezer. The Guardian critic sees this as a shameless comeback play that ignores the weight of the defamation trials between him and Amber Heard.
The piece assumes this should be disqualifying, that the "serious allegations" create a settled case for why he shouldn't work. But a jury already weighed in.
In 2022, a Virginia court heard the evidence and ruled largely in Depp's favor on his defamation counterclaim against Heard. You can disagree with that verdict—you can argue it missed crucial context or that the trial's theater obscured the truth—but the legal system did address the question and gave an answer that contradicted the framing the Guardian critic wants you to maintain.
This creates an irresolvable problem that no casting announcement can solve. The critic's position requires the public to maintain a narrative that a jury explicitly rejected. Call that jury wrong if you like—courts are wrong sometimes. Juries certainly are—but the moment you invoke "serious allegations" as grounds for permanent exclusion, you're asking audiences to treat a legal verdict as though it never happened. We have genuinely fragmented on what a courtroom verdict actually settles.
Half the audience sees a rehabilitation someone earned through a legal process. The other half sees a calculation that the trials created competing narratives rather than closure. That second camp might be right. They're defending a different position than they're stating—they're not saying "the allegations disqualify him," they're saying "we don't accept the jury's interpretation of those allegations." Those are incompatible frameworks for what consequences look like. No hire resolves it, because the real question isn't whether Depp deserves another chance—it's whether you believe the formal process that clears someone actually clears them, or whether certain verdicts you disagree with simply don't count.