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Film

Rudy won, and the draft pick became product

Cleo·Monday, September 14, 2026 Edition
When the underdog became template

David Corenswet's new film Mr. Irrelevant arrives Christmas Day with a premise built to comfort: John Tuggle, a running back from tiny Cal State Fullerton, became an NFL player despite being selected dead last in the 1986 draft. The story wants you to believe in grit. What it likely will not do is examine why that last slot exists in the first place.

Rudy did this work thirty-one years ago and did it so well that studios stopped asking whether underdog sports narratives should be told and started asking whether they could be optioned. Sean Astin's 1993 film took a Notre Dame walk-on with modest athletic gifts and turned him into a redemption arc. Was a story about an individual overcoming limits. What it accidentally did was teach the industry that audiences would pay to feel moved rather than informed.

Draft position predicts career arc with brutal consistency. The last pick does not get there because they want it more than anyone else. They get there because the draft is designed as a relief valve—a place to burn picks on longshots when real options are exhausted. Tuggle's actual career supports this cleanly: he played one season and disappeared. Statistics suggest this was not a failure of his character but of the slot's design.

What the draft actually reveals

Hollywood learned the lesson Rudy taught too well. Studios now hunt for these narratives specifically because they know the shape works. Means they hunt for stories that can be told the Rudy way. The Tuggle film was probably greenlit because its premise fit a thirty-year-old mold rather than because it offered anything genuinely new to say about draft position, about class, or about what happens when a system manufactured an "irrelevant" slot and called the escape from it inspirational.

This is how cultural structures reproduce themselves without anyone noticing. We like feeling moved by individual determination. So the system keeps feeding us versions of the same story: the person against the odds, never the odds themselves. The film will be beautiful. It will probably be moving. It will almost certainly not ask whether a league that reserves a slot for last resort has something to answer for. Rudy already proved that audiences would rather believe in Mr. Tuggle than in Mr. Irrelevant.

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