Even the Student Council Has Its Holes!
This adaptation exists not because the source material is good enough to deserve one. But because it is popular enough on TikTok and Reddit to justify the licensing cost to a streaming platform. The gatekeeping question in 2026 is no longer whether a manga represents something worth adapting. Whether the IP carries sufficient algorithmic momentum to move units.
Manga popularity itself is now treated as evidence of creative merit, as though a large enough audience constitutes a vote of confidence in the work's fundamental quality. It does not. It means the audience exists—that is a different proposition entirely.
The distinction matters because it reveals what actually determines what gets adapted. It is not critical consensus, not artistic innovation, and not even the source material's structural soundness as a story. Instead, a series gets greenlit if it has generated enough social media discourse to make the licensing investment mathematically viable for a platform betting on niche content with loyal followers. A manga can be beautifully drawn, thematically rich, and critically neglected and still never be adapted. Another can be competent but forgettable and arrive as an anime the moment its Reddit thread hits critical mass.
The adaptation industry has outsourced its curatorial function to the algorithm. It has become a content laundering operation where sufficient engagement is permission. The real question is not whether Even the Student Council Has Its Holes! deserves an anime—but whether we should be comfortable letting streaming platforms' engagement metrics become the only remaining filter between creative work and cultural distribution.