Spain's government announced this week it will keep funding its audiovisual sector through Spain Crece — the kind of pledge governments make when they want credit for showing up.
Óscar López, the Minister for Digital Transformation, made the pledge at San Sebastian. It is technically good news and structurally identical to a pledge made fifteen years ago that produced the opposite of what was intended.
In 2009, Spain launched an EU-backed infrastructure bonanza to make itself a production hub. The money was real, the studios got built. Madrid and Barcelona acquired soundstages and post-production facilities at a scale that briefly made Spain competitive with France.
By 2012, the investment had worked so well that it created a real estate bubble around these facilities. Talent, looking at the math, migrated to France and Portugal where labor costs had not inflated alongside the studio real estate. The bubble deflated and the soundstages remained — expensive monuments to a cycle that was already over. What made this brutal was not that the government stopped funding production. That it had front-loaded capital into brick and mortar while production itself. The actual employment, the training, the creative ecosystem. Required ongoing operational support that evaporated once the infrastructure was complete.
Spain Crece deploys the same mechanism of providing money into audiovisual capacity now, allowing the sector to stabilize temporarily, international productions to arrive. Studios to lease at premium rates. Then someone notices the talent is gone and the infrastructure carries no guarantee that it will house production rather than becoming another European cultural monument to government investment. Watch what happens in the next two years in any sector where you work. Creative, technical, whatever your practice is. Notice when the money arrives before the structure exists to deploy it. The capital creates the asset, and the asset then structures where people can afford to think.