Observation
When systems remove the wrong thing, nothing smart replaces it.
Warner Bros dismantled a universe because some choices failed. But Gal Gadot's Wonder Woman was working—audiences knew it, critics knew it, the box office knew it. Yet she was cut anyway. The mechanism isn't market failure. It's institutional overcorrection, where a group solving one real problem (Ben Affleck's Batman was genuinely troubled) loses the ability to distinguish signal from noise and burns down what was actually working. James Gunn's regime inherited a mess, but the collective judgment inside that organization couldn't hold two thoughts at once: some things were broken and some things weren't. So everything went.